Free PDF , by Helene Stapinski
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, by Helene Stapinski
Free PDF , by Helene Stapinski
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Product details
File Size: 1038 KB
Print Length: 312 pages
Publisher: Dey Street Books; Reprint edition (May 23, 2017)
Publication Date: May 23, 2017
Sold by: HarperCollins Publishers
Language: English
ASIN: B01L6R7UY4
Text-to-Speech:
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Amazon Best Sellers Rank:
#118,393 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
What a page turner! Once I picked up this book I couldn't put it down. It has everything you want in a good book to hold your interest. As the author seeks to unravel a centuries old family murder mystery we are led through a labyrinthian path of Italian bureaucracy as Helene seeks to disentangle years of documents that have not been open for over a century. Kudos to her for her persistence involving not one but two lengthy visits to Italy. During her journey you will meet all types of Italian characters both in this century and the 19th. And you will gain a new Italian vocabulary that will serve you well in your next visit to Italy. All the while you will anxiously await what the next page will bring. Helene's prose flows so effortlessly that you will hardly believe how fast her family saga comes to a conclusion. I can't wait to read her other books and you will too after you read this one!
I just finished Helene Stapinski’s Murder in Metera and am writing this review immediately, after wiping away my tears. What a great book. And yes, it’s a great story, but it’s so much more than that. This is my favorite kind of non-fiction, in which the central tale unfolds in tandem with the history that surrounded it, with creative imaginings – all beautifully written – weaved in. Helene Stapinski struck that perfect balance. While I discovered the truth of the tragic life of her great-great-grandmother, I not only I learned about life in Southern Italy in the late 1800s – which was never less than fascinating – but also about Stapinski’s own journey as a writer and a detective and as a mother searching for the truth behind the family murder while raising her kids. It captured me the way Jon Krakauer does especially in Into Thin Air. Every detail was compelling in Murder In Metera, the way fish curing was compelling in The Perfect Storm. I sped through this book. I was surprised at every turn, right to the very end, when I was flat out crying. Stapinski’s writing had me laughing most of the way through even though the details of the story are mostly sad. She writes like she’s telling the story out loud, maybe to her children, the way the story had been passed down to her (and lost in the process!), with all the colloquialisms and sayings from Southern Italy to Jersey City. I highly recommend Murder in Metera.
Many big differences really, beginning with the author's passion and the wonderful characters, the holy and unholy places, the excellent local food and the beautiful scenery. This is a first person adventure that takes the author from Jersey City to Siena, to Brooklyn, and then, most tellingly, back to Italy, to the deep southern Italian province of Basilicata.Remote and picturesque Matera, Bernalda and Pisticci hold secrets they are reluctant to reveal. The author returns again and again; she is determined and persistant, so much so that we become parties to her quest, learning history going back to the Greeks, who colonized the area centuries earlier, to the impoverished citizens and their oppressers who followed, to the present day, where, in many ways, little has changed. Language barriers are overcome, the reticence of the locals is breached, family connections are raveled and unraveled, and the warm comradery of those who join the author in her quest is rewarded, but only after a great many surprises. You will be fortunate, as I was, to go along for the ride.
The author describes her view of her mother’s family, a mindset of an American girl living in New Jersey during the 1960s and looking back to Italy through Ellis Island. She always believed her great-great grandmother, Vita Gallitelli, had murdered someone in southern Italy before immigrating to America. As Helen matured and mothered her own children, she worried that somehow the murdering gene might come out again some unlucky day. So, she decided that instead of sitting around worrying about the potential danger, she should try to look directly at the evil, find out the details, and then she might know better what she was up against.Mind you, this was not her deciding to get on her computer, become a member of a genealogy site, and discover what she could from the comfort of her American home. She had bigger plans and made bigger sacrifices. She traveled, not once but twice, to the very towns in Italy where her ancestors had lived. She took time, overcame obstacles which would have stopped others, and spent a lot of time looking at any paper files she could find with the help of Italian researchers, so that she could really know what had transpired and why her Vita had left Italy.And for all of that, she did find a lot more information. She discovered the abject poverty her great-great grandmother was born into, and the hopeless situation in which people of her class found themselves. She discovered that Vita Gallitelli had indeed married Francesco Vena; but that Francesco was not her great-great grandfather because HE was spending a miserable sentence in prison because of the murder HE had committed, all because of stealing pears. Vita and Francesco had a son who died, but Vita had several other children when her husband lay in jail, due to being another man’s mistress (her way of surviving). The trip to America came many years later when one of the oldest boys had already made a place for Vita and a younger son and a younger daughter. Vita left her benefactor and made a very difficult Atlantic voyage, losing her 7-year-old daughter while in transit. Finally, the author learned of the struggles Vita and her two surviving boys has faced in the melting pot of America, with Vita dying in 1915, in her sixties, a victim of the annual “night of mischief†when a boy had hit her head with a sock stuffed with rocks.
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