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How to Travel without Seeing: Dispatches from the New Latin America
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Review
“The buoyant Neuman (The Things We Don't Do, 2015, etc.) takes readers on a phantasmagoric journey through Latin America . . . a virtuoso demonstration of writing on the fly. After winning one of the Spanish-speaking world’s most lauded awards, the Premio Alfaguara, Neuman was sent on a massive 19-country tour that took him from his home in Argentina to far-flung appearances across Latin America. The writing is clever, light, and self-aware in a way that most travelogues are not . . . The translation by Lawrence is spot-on . . . Neuman is present in the moment and highly observant, catching little details that might have escaped other writers . . . To read this book produces an electrically fleeting feeling, but it seems that for the author, that’s kind of the point. 'The feeling of having left something someplace,' he writes toward the end. 'That we leave something everywhere we go, in addition to taking something with us.' A dizzying, evanescent snapshot of Latin America in all its grime and glory.” — Kirkus“Curious, delightful . . . Neuman is hot property in contemporary Latin American literary circles. A former winner of Spain’s prestigious Alfaguara Prize and the National Critics Prize, he is tipped (by Roberto Bolaño, no less) to be one of a select ‘handful’ to take up where the ‘boom’ generation of Márquez, Cortázar, Fuentes and Borges left off . . . This is not a conventional travel book by any means . . . So forget the lyricism of Patrick Leigh Fermor, the historic sweeps of V.S. Naipaul or the episodic comedy of Bill Bryson. How to Travel Without Seeing is, in essence, a collection of journal jottings: the author’s notebooks transcribed in a rush; fragments of thought; overheard conversations; advertisement slogans; television snippets; stray lines of poetry. An honest reflection of most contemporary travel experiences, in other words . . . Yet the book works. This is partly thanks to Neuman’s eye for the absurd and ironic—Colombia’s Televisión Española, for example, ‘scrupulously selects’ the very worst of Spanish TV to disseminate abroad. More important still is his gift for the succinct. Places and people are captured in a single, spot-on phrase. Lima is the ‘club among clubs’; the estuary bay of San Juan flows gently to the sea ‘like someone falling asleep before drowning’. Aphorism, a literary device now hijacked by the Twitterati, is used to powerful effect here . . . Despite the miles he covers, he relishes remaining still, because his great passion is reading. He wolfs down books with an enthusiasm that most tourists reserve for sangria and sun-scorched sex. The result reads like the very best kind of bibliophile TripAdvisor.” —Oliver Balch, The Spectator“As Neuman moves on his journey, he transforms the most ordinary places in the world—airports, hotels and way stations—into shrines or temples dedicated to travel . . . In the book, he offers readers interesting snapshots of people and places while traveling on a book tour after winning the prestigious Alfaguara literary award in 2009 . . . Filled with intimate reflections, the book describes more the feeling of being in transit and the changing perspective of the traveler than the actual destinations on Neuman's itinerary. And this mobility connects readers with the excitement of travel and reminds them of how being in transit could make people feel like outsiders and insiders.” —Arturo Conde, NBC Latino“In this series of easily digestible travelogue entries, Neuman (The Things We Don’t Do) reflects on various Latin American cities and the way we travel now . . . rather offering than a traditional travelogue, Neuman presents bite-size, on-the-go reflections on everything including politics, films, other writers, and the vagaries of customs declaration forms . . . He hilariously describes the environment of his hotel in Caracas as 'oil-rich Stanley Kubrick' . . . Neuman’s book offers an untraditional but valuable perspective on globalization and the character of nations.” —Publishers Weekly“For his novel, Traveler of the Century (2009), Neuman received the prestigious Premio Alfaguara, awarded to outstanding works of Spanish-language literature. The prize includes a public-speaking tour, and Neuman took the opportunity to compose a travelogue that is anything but ordinary, combining wry observations, deadpan aphorisms, and literary commentary. From Asuncio´n to Panama, Neuman bounces all over South and Central America, recording amusing moments... and cataloging the writers he reads along the way, including Borges and Bolan~o but also lesser-known, contemporary upstarts, like Pola Oloixarac, Mo´nica Vela´squez, and Daniel Alarco´n . . . The hopscotch narrative, unique insights, and unapologetic bibliophilia make this book perfect for travelers as well as readers bound to home for the time being, looking for an escape." —Diego Báez, Booklist“Argentinean-Spanish wunderkind Andrés Neuman speeds through the new Latin America in How to Travel without Seeing.” —Vanity Fair Hot Type
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About the Author
Andrés Neuman was born in 1977 in Buenos Aires, Argentina, and grew up in Spain. He was selected as one of Granta's Best of Young Spanish-Language Novelists and was elected to the Bogotá39 list. Traveler of the Century (FSG, 2012) was the winner of the Alfaguara Prize and the National Critics Prize, Spain's two most prestigious literary awards, as well as of a special commendation from the jury of the Independent Foreign Fiction Prize. Neuman has taught Latin American literature at the University of Granada. Jeffrey Lawrence received his PhD in Comparative Literature from Princeton University and is currently a professor of English at Rutgers University.
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Product details
Paperback: 252 pages
Publisher: Restless Books (August 30, 2016)
Language: English
ISBN-10: 1632060558
ISBN-13: 978-1632060556
Product Dimensions:
5.5 x 0.7 x 8.2 inches
Shipping Weight: 10.6 ounces (View shipping rates and policies)
Average Customer Review:
4.3 out of 5 stars
7 customer reviews
Amazon Best Sellers Rank:
#239,546 in Books (See Top 100 in Books)
I was prepared to not like this book at all, after all it has no real plot and is written in short musings while the author is on an extended book tour in places I have never been. I was hooked by page 25. At first, I don't notice the hotel descriptions. By the end, I wish they were all collected together in an excel sheet so I could scroll through them and laugh. I also love how he describes public transport (or the lack of it), taxi driving and transport in general. And in at least one place, the streets have no names or numbers so it is essential to tell the story of where you live.If you like ironic comparisons of customs forms, book stores and local poets, this book is for you.
Unlike any other travel diary. Made me feel like I was thinking these thoughts, rather than reading them. Would love to read more by this author. He has an exceptional style.
Very good book!
Great!
I should title this review How to Read About Latin America Without Knowing Anything About Latin America. That's what I did. I loved the idea behind this book. Neuman traveled around Latin America, visiting nineteen countries after winning an important book award, and wrote down quick impressions in every country he visited. I must admit I didn't know any of the politicians he mentions and I only vaguely had heard of a couple of the authors he writes about. It doesn't matter. The book was fresh and fun and clever.
This is an extremely thought-provoking book that demonstrates Neuman's writing capabilities. I've loved all of his fiction published in English, and "How to Travel" is another step in his rise to be one of the most important writers in contemporary world literature.
i wanted to like this a lot more. i'm interested in travel, latin america, and lit. i've been to half a dozen of the countries he mentioned. and yet... this book bored me. i get the idea, but the rambling and random nature of his little observational paragraphs got really old after a couple chapters. and there are 19 chapters i believe... i read this in one sitting which might be part of the problem. also there was way too much discussion of contemporary authors local to each country, most of it too superficial to provoke any interest.
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